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- 12 Installments
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ΠΙΣΩ ΣΤΗΝ ΛΙΣΤΑAudio Interfaces
RME Fireface 802-FS Audio Interface
CODE:
J08RM00070
4260123363468
BRAND: RME
- 12 Installments
- warranty_2
- includeProductsFromFeed
- 12 Aτοκες Δόσεις
- includeProductsForShopflix
- UserXmlFull
- UserXmlHSJ
- UserXmlAGIMPHSJ
- BoxNow
PDF EXPORT
RME Fireface 802-FS Audio Interface-VenddEshop
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RME Fireface 802-FS Audio Interface - ATTRIBUTES | VenddEshop
RME Fireface 802-FS Audio Interface - ATTRIBUTES | VenddEshop
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RME Fireface 802-FS Audio Interface | Audio Interfaces
CODE: 1001174
BRAND: RME
Price 1,749.00 €
DESCRIPTION
60-Channel 192kHz high-end USB Audio Interface
The Fireface 802 FS is a highly integrated pro audio solution for live and studio use, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features.
Connectivity and Features
Overview :
Technical Specs :
Analog
AD, Line In 1-8, rear
Microphone In 9-12, front
As AD, but:
Instrument In 9-12, front
As AD, but:
Input: 6.3 mm TS jack, unbalanced
Input impedance: 1 MOhm
Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
Maximum input level, Gain +6 dB: +21 dBu
Maximum input level, Gain +60 dB: -33 dBu
Frequency response @ 44.1 kHz, -0.5 dB: 2.5 Hz – 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 2.5 Hz – 25 kHz
Frequency response @ 192 kHz, -1 dB: 1.7 Hz – 36 kHz
DA - Stereo Monitor Output Phones (9-12)
As DA, but:
DA, Line Out 1-8, rear
MIDI
Digital Inputs
AES/EBU
ADAT Optical
SPDIF optical (ADAT 1/2)
Word Clock
Digital Outputs
AES/EBU
ADAT
SPDIF optical (ADAT 1/2)
Word Clock
General
The Fireface 802 FS is a highly integrated pro audio solution for live and studio use, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features.
Connectivity and Features
- 12 x Analog I/O
- 4 x XLR/TRS Mic/Inst/Line
- 2 x Phones Output
- 1 x AES/EBU I/O
- 2 x ADAT I/O
- 2 x SPDIF I/O
- 1 x Word Clock I/O
- 1 x MIDI I/O
- 1 x RME USB 2.0
- Class Compliant Mode
- TotalMix FX
- ARC USB
- Including FX
- SteadyClock FS
- DC-coupled Outputs
Overview :
- Enhance Your Recording Setup - Discover Unmatched Flexibility
- Powerful Applications for Mixing, Monitoring and Measurement included
- USB 2 Class Compliant Audio
- DC-Coupled Outputs - CV/Gate Voltage Control
- ARC USB Remote Control - Plug’n Play Plus
- Experience Uncompromising Audio Quality
- Professional high-transparency Preamps
- Stand Alone Operation with Setup Recall
- ICC - Intelligent Clock Control
- TotalMix FX - Mixing/Routing with superior features for Studio and Live Work
- DigiCheck - The Secret Weapon of High Resolution Audio Measurements
- SteadyClock FS - Reference class Digital Clocking
- RME USB - Transport audio with lowest latency and industry leading stability
Technical Specs :
Analog
AD, Line In 1-8, rear
- Input: 6.3 mm TRS, electronically balanced
- Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA
- Signal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA
- Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz
- Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz
- Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz
- Filter: Short Delay Sharp, 5 / 5 / 6 samples delay
- THD @ -1 dBFS: < -120 dB, < 0.0001 %
- THD+N @ -1 dBFS: < -110 dB, < 0.00032 %
- Channel separation: > 110 dB ? Maximum input level: +19 dBu
- Input: 6.3 mm TRS jack, electronically balanced
- Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced
- Input sensitivity switchable between Lo Gain and +4 dBu
- Input level for 0 dBFS @ Lo Gain: +19 dBu
- Input level for 0 dBFS @ +4 dBu: +13 dBu
- Variable digital gain: 0 to +12 dB
- Minimum level for 0 dBFS: +1 dBu, -1.2 dBV
Microphone In 9-12, front
As AD, but:
- Input: XLR, electronically balanced
- Input impedance: 3.4 kOhm
- Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
- Gain range: 54 dB
- Maximum input level, Gain +6 dB: +10 dBu
- Maximum input level, Gain +60 dB: -44 dBu
- CLIP LED: 0 dBFS
- SIG LED: -42 dBFS
Instrument In 9-12, front
As AD, but:
Input: 6.3 mm TS jack, unbalanced
Input impedance: 1 MOhm
Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
Maximum input level, Gain +6 dB: +21 dBu
Maximum input level, Gain +60 dB: -33 dBu
Frequency response @ 44.1 kHz, -0.5 dB: 2.5 Hz – 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 2.5 Hz – 25 kHz
Frequency response @ 192 kHz, -1 dB: 1.7 Hz – 36 kHz
DA - Stereo Monitor Output Phones (9-12)
As DA, but:
- Output: 2 x 6.3 mm TRS stereo jack, unbalanced
- Maximum output level at 0 dBFS: +17 dBu
- Max power per channel @ 32 Ohm load, 0.02% THD: 200 mW (2.5 Vrms, +10 dBu)
- Signal to Noise ratio (SNR): 116 dB (AES17), 118 dBA
- Output impedance: 2 Ohm
DA, Line Out 1-8, rear
- Output: 6.3 mm TRS jack, servo-balanced
- Signal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA
- Signal to Noise ratio (SNR) @ +4 dBu: 116 dB (AES17), 118 dBA
- Signal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA
- Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz
- Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz
- Frequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz
- THD+N: < -110 dB, < 0.00032 %
- Channel separation: > 110 dB
- Output level switchable Hi Gain, +4 dBu, -10 dBV
- Output level at 0 dBFS @ Hi Gain: +19 dBu
- Output level at 0 dBFS @ +4 dBu: +13 dBu
- Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
- Output impedance: 75 Ohm
MIDI
- 1 x MIDI I/O via 5-pin DIN jacks
- Galvanically isolated by optocoupled input
- Hi-speed mode: Jitter and response time typically below 1 ms
- Separate 128 byte FIFOs for input and output
- Clocks: Internal, ADAT In, AES In, SPDIF In, Word Clock In
- Jitter suppression of external clocks: > 50 dB (> 1 Hz)
- Effective clock jitter influence on AD and DA conversion: near zero
- PLL ensures zero dropout, even at more than 100 ns jitter
- Digital Bitclock PLL for trouble-free varispeed ADAT operation
- Supported sample rates: 28 kHz up to 200 kHz
Digital Inputs
AES/EBU
- 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
- High-sensitivity input stage (< 0.3 Vpp)
- SPDIF compatible (IEC 60958)
- Accepts Consumer and Professional format
- Lock range: 27 kHz – 200 kHz
- Jitter suppression: > 50 dB (> 1 Hz)
ADAT Optical
- 2 x TOSLINK, format according to Alesis specification
- Standard: 2 x 8 channels 24 bit, up to 48 kHz
- Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
- Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
- Bitclock PLL ensures perfect synchronisation even in varispeed operation
- Lock range: 31.5 kHz – 50 kHz
- Jitter suppression: > 50 dB (> 1 Hz)
SPDIF optical (ADAT 1/2)
- 1 x optical, according to IEC 60958
- Accepts Consumer and Professional format
- Lock range: 27 kHz – 200 kHz
- Jitter suppression: > 50 dB (> 1 Hz)
Word Clock
- BNC, not terminated (10 kOhm)
- Switch for internal termination 75 Ohm
- Automatic Double/Quad Speed detection and internal conversion to Single Speed
- SteadyClock guarantees super low jitter synchronization even in varispeed operation
- Not affected by DC-offsets within the network
- Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
- Overvoltage protection
- Level range: 1.0 Vpp – 5.6 Vpp
- Lock Range: 27 kHz – 200 kHz
- Jitter suppression: > 50 dB (> 1 Hz)
Digital Outputs
AES/EBU
- 1x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
- Output level Professional 4.2 Vpp, Consumer 2.4 Vpp
- Format Professional according to AES3-1992 Amendment 4
- Format Consumer (SPDIF) according to IEC 60958
- Single Wire mode, sample rate 28 kHz up to 200 kHz
ADAT
- 2 x TOSLINK, format according to Alesis specification
- Standard: 2 x 8 channels 24 bit, up to 48 kHz
- Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
- Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
SPDIF optical (ADAT 1/2)
- Format Consumer (SPDIF) according to IEC 60958
- Sample rate 28 kHz up to 200 kHz
Word Clock
- BNC
- Max. output voltage: 5 Vpp
- Output voltage @ 75 Ohm termination: 4.0 Vpp
- Output impedance: 10 Ohm
- Frequency range: 27 kHz – 200 kHz
General
- Power supply: Internal switching PSU, 100 - 240 V AC, 30 Watt
- Idle power consumption: 15 Watt
- Typical power consumption: 22 Watt
- Dimensions including rack ears (WxHxD): 483 x 44 x 242 mm (19" x 1.73" x 9.5")
- Dimensions without rack ears/handles (WxHxD): 436 x 44 x 235 mm (17.2" x 1.73" x 9.3")
- Weight: 2.8 kg ( 6.2 lbs)
- Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
- Relative humidity: < 75%, non condensing
ATTRIBUTES
- Type: USB
- Conversion: 24 bit
- Sampling: 192 kHz
- Analog Inputs: 12
- Analog Outputs: 12
- Digital Inputs: 1 x AES/EBU , 2 x ADAT
- Digital Outputs: 1 x AES/EBU , 2 x ADAT
- Midi: In, Out
- Phantom Power +48V: Nαι
- Headphone outputs: Nαι
- Τype: USB
- Phantom Power + 48V: Yes
- Mic preamp: 3-4
- Digital Standard: Υes
- Midi In/Out: Υes
Email: [email protected] | Τηλ: +302111094500 | Λεωφ. Συγγρού 154 Καλλιθέα, 17671, Αθήνα
1,749.00 €
Suggested Catalog Price
2,199.00 €
Available 7-12 days
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